Set in 1820s Edinburgh, Bella’s Betrothal is a very enjoyable read with a great sense of
place and engaging characters. Since Anne is also an excellent playwright,
there is plenty of sparkling dialogue between the hero, Charles Lindsay, and
heroine, Lady Isabella Wormsley. It begins with one of the best lines I’ve read in any
recent romance and I've really enjoyed following the not-so-smooth course of their love story and their interaction with a host of interesting characters. Here’s a little about the novel.
While she is travelling north to find sanctuary from
the malicious gossip of the Ton, Lady Isabella Wormsley’s room in a Dalkeith
inn is invaded by handsome Scottish Laird, Charles Lindsay. Charles has
uncovered a plot to kidnap her, but Bella wonders if he isn’t a more dangerous
threat, at least to her heart, than the villainous Graham Direlton he wrests
her from.
Bella settles into the household of her Aunt Hatty
Menzies in Edinburgh’s nineteenth century George Square where Charles is a
regular visitor. She has been exiled to the north by her unfeeling mama, but
feels more betrayed by her papa to whom she has been close. Bella hopes the
delivery of her young cousin’s baby will eventually demonstrate her own
innocence in the scandal that drove her from home.
Bella’s presence disrupts the lives of everyone
connected to her. Direlton makes another attempt to kidnap her and in rescuing
her a second time, Charles is compromised. Only a betrothal will save his
business and Bella’s reputation.
Mayhem, murder and long suppressed family secrets
raise confusion and seemingly endless difficulties. Will the growing but
unacknowledged love between Bella and her Scottish architect survive the evil
Direlton engineers?
Inspiration
behind the story
Writing a longer piece like a novel brings together
lots of things previously swimming in my subconscious soup. Place is a big
influence. I sometimes find myself creating a character and scenario while
standing in front of a house. It needn't be a big house and I've written one or
two short pieces based on some photographs I took of a Victorian laundry. With Bella's Betrothal, I was very keen to
showcase Edinburgh. I've lived here for a long time now in Georgian and Victorian
houses. The townscape is always around me.
Next would be theme in the sense of 'What is this
novel about?' With Bella's Betrothal,
I was exercised by the damage gossip can do. Even in our own, maybe pedestrian,
lives, reputation is precious. Once lost, getting it back is the Devil's own
job.
Characters are of course paramount and I will try
out 'voices' until I'm hearing the main protagonists and, often, the villain.
Villains are just so interesting and such fun to create. With Bella's Betrothal, I also had several
very demanding and interesting secondary characters clamouring to be heard.Thanks for being my guest, Anne!
Bella's Betrothal is available from Amazon UK and US
ANNE STENHOUSE has always loved words. Reading them
and using them greedily, she can’t truly remember a time when she couldn’t
escape into the pages of a book and certainly can’t remember when she couldn’t
talk and ask questions. Anne is a published and performed playwright. She
studied both English and History at University in Edinburgh, and finds it a
great joy to combine these two disciplines in her novels.
Being a playwright means Anne loves dialogue and
knows a piece is going well when she ‘begins to hear the characters talking to
each other’. She has been a civil servant, full-time Mum, and for a while, a
worker in an Addictions’ rehabilitation unit. Anne lives in Scotland with her
husband and dancing partner of over thirty years. Their children and a
grandchild are close by.
Anne’s debut historical novel, Mariah’s Marriage,
was shortlisted for the RNA Joan Hessayon Award.
You can find out more about Anne on her blog, Novels Now.
14 comments:
Good morning Rosemary and thank you for inviting me to talk about Bella's Betrothal. It's one of my favourite occupations.
It's a lovely morning in Edinburgh and I hope your side of the country finds the sun, too. Anne
Thank you for a lovely post, Anne and Rosemary. I love the prospect of suppressed family secrets and the theme of gossip causing damage. I also really like the idea of trying out voices to get under the skin of the main protagonists.
I would also be inspired by a Victorian laundry and can imagine how that sparked lots of ideas.
Very best of luck with the novel. It sounds fantastic with its sparkling characters and brilliant setting.
Mayhem, murder and family secrets... Sounds a prefetch excuse to curl up in front of the fire and read, Anne. Thanks for hosting, Rosemary.
Yes, you can't help but want to read on after that first line.
Morning Anne - great to hear more about Bella's Betrothal!
Many thanks for your comment, Joanna!
Thanks for commenting, Wendy!
Absolutely, Kate!
Sounds good, Anne. Best of luck with it!
Hullo Joanna, Wendy, Kate and Vicki and thanks for dropping by. The first line was in my head for a longish time - one of those lines you know you will use. As Rosemary says elsewhere, the layout of Edinburgh's Old Town with its secret courts and, presumably, stinking alleyways lends itself to the nurturing of murder and mayhem. The early nineteenth century is such a rich ground for our imaginations. Anne
I really enjoyed the story of Bella! Ideal escapism.
Thank you Myra. Glad you enjoyed it. Anne
Best of luck with Bella's Betrothal Anne! Lovely to see you on Rosemary's blog. I remember meeting you at the London Chapter do and at an RNA party and we discovered that you know Rosemary 'in real life'-I've only met Rosemary virtually! It must be interesting writing novels after writing plays. I'd love to have a go at writing a play or even a screenplay one of these days. x
Good luck with Bella's Betrothal, Anne. An interesting insight into how you work. I love books set in Scotland. Thanks for hosting this, Rosemary. Rx
Good morning, Anita, I remember that RNA lunch in London so well. Everyone, including your lovely self, was so welcoming and I even came away with a 'mystery' parcel despite not knowing about the secret book santa. this is why people should join the RNA. It truly is welcoming and inclusive.
Plays are interesting to write and it has always given me the most amazing buzz to see one in performance. A good director finds stuff you didn't know you'd put in. (So does a bad director, but we won't go there.) Every good wish with your own writing. Anne
Hi Rena, thanks for dropping in here. It's so nice to know you like a Scottish setting. There are a lot of quality books around at the moment to enjoy. Anne
It's a good story, Vikki and Myra!
Hi Anita - one of these days we'll get to meet!
Thanks for your comment, Rena!
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