Today, I'm
delighted to welcome to the blog author Frances Evesham, whose début novel, An
Independent Woman, is set in the Victorian period, one of my favourite eras. I only recently started the novel as my TBR
list is toppling over, in print and e-book, but I can’t wait to continue it
from a great beginning that conveys the period very well. Frances has kindly
answered the questions I put to her but first, here’s a little about the book.
An
Independent Woman
With
nothing left from her childhood except a tiny portrait of a beautiful woman and
the knowledge of a dreadful secret, Philomena escapes the dangers and fogs of
Victorian London, only for a train crash to end her quest for independence and
freedom.
Trapped
between the upstairs and downstairs occupants of the great country house, she
hears whispers of the mysteries that lurk in empty corridors and behind closed
doors. Her rescuer, the dangerous, enigmatic Hugh, Lord Thatcham, wrestles with
his own demons and makes Philomena’s heart race, but she must fight her passion
for she can never marry.
Haunted
by her past, Philomena’s only hope of happiness is to confront the evil forces
that threaten to destroy her.
An
Independent Woman is available from Amazon UK and US, Amazon Universal and the Wild Rose Press.
For UK residents only, signed print copies are available from Frances Evesham’s author website and blog.
For UK residents only, signed print copies are available from Frances Evesham’s author website and blog.
Here's the lovely trailer to whet your appetite!
A warm welcome, Frances, and thanks answering the following questions!
A warm welcome, Frances, and thanks answering the following questions!
Hello
Rosemary. I'm very proud to be interviewed by you on your blog. I've admired
your progress as a writer and used your success as a prompt for myself when I
wondered whether I would ever find a publisher for my first novel.
Oh,
that’s such a lovely thing to say - thank you so much! It’s great to see your
first book published.
Please tell us a little
about how you became a writer.
I wrote my first story sitting on the floor of my bedroom. It was
about horses, because every book I read was about horses when I was ten. I
think the world is better off without that book.
I don’t think I would ever have completed a full-length novel except
for the invention of the word-processor, or at least the type-writer. I love
the idea of writing with a beautiful pen on silky paper, but my handwriting is
so bad that anything not typed is indecipherable. I truly envy anyone who
writes in longhand.
I aim to write mystery stories with a strong plot, plenty of twists
to keep the reader guessing and a little feel-good romance. I want my reader to
keep turning the pages until the end, then sigh with pleasure.
Is there a particular
reason why you chose the Victorian period?
When I was a child, I met my two tiny great aunts, Annie and Winnie.
They were Victorian ladies living in a village post office in the Cotswolds. They
wore lace collars, their manners were perfect and they expected me to behave
properly, too. They kept a caddy of tea in a special corner cupboard, hung on
the wall in the parlour, for visitors.
True Victorians, they were interested in everything I had to tell
them, even though they were over 90. They’d worked all their lives, one as the post-mistress,
the other as a teacher. They never married. I loved their active minds and they
would have adored the internet.
Passionate curiosity about the world led the Victorians to build
railways and bridges, construct sewers and invent photography for all. They even
designed special hidden cameras for spying.
The world was changing fast in the 19th Century and I
found it exciting to set a novel in that time, when people believed anything
was possible.
Your aunts sound lovely!
Did you have to do a lot of research for this novel and how did you do
it?
An Independent Woman moves
from the London slums to a great country house, so I had to understand both
these settings. Fortunately for me, there is a wealth of information available
about the Victorians, both on line and in print.
I have a shelf of books,
including the wonderful London Labour and the London Poor, by Henry Mayhew,
which includes rich verbatim conversations with people on the streets of
London. “Gander,” for example, was a crossing sweeper, proud of being “the fust
boy as ever did ornamental work in the mud of my crossings,” drawing anchors
and laurels in the black mud.
Mrs Beeton is a great source
of information on the ways of the Victorian middle classes.
I think one of the challenges
of setting a story in the past is avoiding the trap of modern expressions
without resorting to convoluted “historical” speech. I'm constantly amazed to
find the Victorians talked much like us. I was part of
a project a few years ago, editing some of Charles Dickens’ journals as they
went on line, looking for errors in the scanned versions and I often look at the Old Bailey
Online to read the witness statements.
Sometimes I find surprises –
like the woman who described how she “tea’d” with her aunt, in the same way we
would say we “dined.” I hadn't come across “tea” used as a verb before.
Great resources and fascinating snippets!
What is the most difficult part about starting a new book?
It’s hard to marshal all the
ideas buzzing around in my head into a single narrative. There’s so much that
has to be left out.
An Independent Woman took
shape first when I found out about a real event, the Sonning Cutting train
crash on the Great Western Railway, that happened on Christmas Eve in 1841.
That event became the catalyst that threw Philomena, a poor, working girl, into
contact with the aristocratic Lord Thatcham.
Once the hero and heroine became
real, they took hold of the story and it moved into areas I hadn't expected
when I began. It’s very strange how characters take on a life of their own.
They become part of the family!
How do you promote your book and does it work?
Like so many other writers,
I find this the hardest part. My great aunts would have been shocked at the
very idea of marketing or promoting themselves. They would think it very
vulgar! On the other hand, I've met plenty of interesting people through social
media.
I do have a written strategy
and plan for marketing, because I spent many years working as a project manager
so I like to know where I think I'm going. It’s long term, because I'm planning
to write a good many more books, so I don’t yet know whether it will work. It’s
based on identifying exactly who likes to read my books, growing my Twitter
presence and building an email list, so I can talk directly to readers.
I love Twitter, because I can
talk to anyone about anything, whenever I want to. It’s great to meet other
writers there and it’s also full of people who do other, equally exciting
things.
I do have a Facebook account
and a separate author page, but I spend less time there. I like writing guest
posts and have hosted one or two on my blog. I think that’s one of the best
ways writers can help each other.
I write snippets of
Victorian trivia on my blog, and I even made a video trailer for An Independent
Woman, mainly because I took your advice, Rosemary. I used iMovie on my iPad.
It was enormous fun and I’d recommend everyone to have a go, so thanks for that
great tip!
I also followed your example
and held a Facebook launch party. I held a Victorian tea party, the sun shone,
it lasted for just three hours and was tremendous fun. I’ll certainly do that
again next time.
Wow – you’re much more
organized than I am and it sounds as if you’re doing all that you can to succeed. And I enjoyed that tea party!
Do you have a favourite writing place?
I'm not sure
it’s exactly my favourite place, as it’s the tiniest bedroom in the house,
available now that my three children have grown. I searched high and low for the
smallest desk in the world, so it fitted in. I write with my nose inches from
the monitor!
The truth is,
once I'm writing, I don’t even notice where I am, so I keep the garden views
for coffee breaks.
Do you find time for
hobbies?
I'm truly lucky. Writing feels like a full-time
hobby because I love it so much. I live in beautiful Somerset, within reach of
both the beach and the countryside, so I walk when I need to untangle a messy
plot.
I enjoy good food and wine and I like to try out new
recipes, though really I'm happiest with pasta and cheese!
What
are your current writing plans?
I've returned to Thatcham Hall for my
next novel, with a new hero and heroine who have to untangle a different
mystery. Along the way, they meet some old friends from An Independent Woman.
I'm hoping to get that off to my editor in the autumn and then start work on
the next story.
Thatcham Hall is beginning to turn into
a sort of Midsomer, where anything can happen!
I also write about communication. I
worked as a speech and language therapist for many years, and I've written
books for parents on helping their child learn to talk. I've got a non-fiction
idea that keeps tapping me on the back and asking me to write it, but at the
moment I'm having too much fun in Victorian England.
Lots to keep you busy there!
Any
tips for new writers?
I read everything I can get my hands on
to help me write, from Stephen King’s On Writing to writing blogs. I also
read advice from publishers on how to write query letters and synopses.
I wrote one draft of An Independent
Woman, then went back again, and again … The story that came to publication was
version 13.
I think the best tip of all is to keep
going, learning from rejections. I truly did not believe I would find a publisher,
but one day, after hard work, disappointments, despair, nail-biting and vast
quantities of Earl Grey tea, I found someone who liked my book. It really can
happen.
Great answer – and it shows the
necessity and power of perseverance!
Frances Evesham writes
historical romances and books on communication, leaving her enough time to
enjoy bad jokes and wish she'd kept on with the piano lessons.
She collects grandsons,
Victorian ancestors and historical trivia. She likes to smell the roses,
lavender and rosemary, cooking with a glass of wine in one hand and a bunch of
chillies in the other. She loves the Arctic Circle and the equator and plans to
visit the penguins in the south one day.
She's been a speech
therapist, a professional communication fiend and a road sweeper and she's
worked in the criminal courts. Now, she walks in the country and breathes sea air
in Somerset.
25 comments:
Thank you, Rosemary, for the opportunity to be grilled for your blog. It was great fun!
Good to see you here, Frances!
I very much enjoyed your interview. Best wishes for a successful series of books!
Thanks Ashantay - and good luck with the new book I know you've just launched!
Wonderful interview, ladies. An Independent Woman sounds intriguing. Who doesn't love to visit Victorian London in a good book now and then. It sounds like you've put a lot of work into your research. That makes all the difference in the world. Good luck and great sales!
Hi Ashantay - many thanks for commenting.
Thanks a lot for your comment, Sandra!
Thank you so much for your kind comment, Sandra. I loved writing An Independent Woman and found the research fascinating.
What a lovely interview. Your aunts sound like quite the thing. And yes, tea'd is a verb, or rather was, at one point in history.Thank you Frances.
Thank you Rosemary.
Thanks, Anne. My aunts, Annie and Winnie, also had a sister, Minnie, my grandmother. Aren't they the most wonderful names? It's great that you've come across tea-ing before. I plan to tea every day at 4pm!
I found this really interesting as the serial I am writing is set in a large house in Victorian England. So glad your perseverance in finding a publisher paid off.
I used to live in Thatcham. Wonder if there's any connection to the hero.
Thanks Wendy, I'll look forward to seeing your story!
Hi Patsy. I chose Thatcham for its location in terms of the GWR and for its historical interest as one of the oldest settlements in England. The great house that used to be there is no longer standing, so I thought Thatcham Hall should take its place!
I loved this interview, Rosemary and Frances, especially the wonderful aunts! I am very keen to use 'tea' as a verb now. It sounds very elegant.
I sympathise with the need to tease a single narrative out of all the strands. Leaving things out is so difficult, but worth it once you see the end result.
An Independent Woman looks like an excellent read with some fabulous settings and characters. Congratulations and best wishes for its success. xx
Hi Anne - many thanks for commenting. I'd never heard of tea'd like that before!
Your serial sounds very interesting, Wendy!
What a coincidence that you used to live in Thatcham, Patsy!
Many thanks for your lovely comment, Joanna - I love those aunts too and I think we've all learned a new verb!
Thank you Joanna. My outtake folder was as long as the movel in the end! Do you keep your discarded ideas for future writing?
Oops. sorry for the typo. I meant novel, of course.
Such an interesting interview, Frances and Rosemary, particularly as I have a yen to write a book set in Victorian times. Like others, I loved the aunts - and the new verb! I'm really looking forward to reading An Independent Woman.
Thanks for your comment, Joan!
Ooh, Joan, how very kind. Hope you enjoy writing your novel. There was so much going on then!
Nice interview and nice trailer. Love the cover. It's always interesting to read about other writers and how they write.
Thank you, Sydney. Debbie Taylor from TWRP designed the cover and captured just the atmosphere I wanted. She's such a talented lady!
Many thanks for your comment, Sydney - I love that cover too!
Many thanks for your comment, Sydney - I love that cover too!
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